Collection: ABC
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Barbara Weir 1000 mm x 1000 mm
CODE : 3045Vendor:Regular price $9,500.00 AUDRegular priceUnit price / per -
Barbara Weir 1000 mm x 1000 mm
CODE : 3044Vendor:Regular price $9,500.00 AUDRegular priceUnit price / per -
Barbara Weir 900 mm x 1200 mm
CODE : 6972Vendor:Regular price $9,500.00 AUDRegular priceUnit price / per -
Barbara Weir 300mm x 600mm
CODE : 3038Vendor:Regular price $1,990.00 AUDRegular priceUnit price / per -
Barbara Weir 340mm x 750mm
CODE : 3377Vendor:Regular price $2,500.00 AUDRegular priceUnit price / per -
Barbara Weir 810mm x 920mm
CODE : 3030Vendor:Regular price $6,500.00 AUDRegular priceUnit price / per -
Barbara Weir 900mm x 1500mm
CODE : 3029Vendor:Regular price $9,900.00 AUDRegular priceUnit price / per
Early Life and Heritage
Bob Gibson Tjungurrayi was born around the 1970s in the Papunya community within the Northern Territory of Australia. His birthplace has become renowned for being the ground on which Western desert art began and spread, turning to a globally recognized art style. Tjungurrayi was part of the Pintupi people, Indigenous Australians who hold deep cultural correlations to the area, stories and customs of the desert situated in the western part of Australia.
Extremely connected with the culture of Indigenous people, Tjungurrayi was surrounded by masters of Aboriginal painting, sculpture, and language since early childhood. His youth was built based on grand respect for elders and their stories about Tjukurrpa (Dreaming), theological accounts of the universe's creation, which also control many aspects of Indigenous people’s lives.
Introduction to Art
Tjungurrayi’s home of Papunya was indeed in the spotlight of Indigenous art during the 1970s, particularly due to a group of artists who pioneered the depiction of Indigenous stories and symbols on canvas. These changes were first set in motion by elder Indigenous artists who wanted to convey their cultures through painting or any other art forms; thus have distinguished a particular art movement that is recognized internationally.
Following the footsteps of such pioneers, Tjungurrayi developed his passion for art in his childhood and began to explore the pictographs, the shades and the graphic components that characterize the Pintupi iconography. He inherited the tradition and was part of the Papunya Tula movement; influenced by great artists such as Clifford Possum Tjapaltjarri, whose extraordinary paintings placed Indigenous Australian art on the international map. As a mature painter, Tjungurrayi has meticulously absorbed the gestural and iconographical codes that inform his work, and the social and historical scaffolding on which they rest.
Artistic Style and Techniques
The art of Bob Gibson Tjungurrayi comprises a set of vibrant colours, dense patterns and references to the essential symbolism. His works are still rooted in the tradition of the Western Desert, however, he paints somewhat differently with colour and form. The artworks of Tjungurrayi can be characterized by graphic patterns and dots indicating objects of natural landscapes such as water sources, sand dunes and Dreaming tracks that are evidence of Pintupi traditions. They raise the spiritual and visual semiotic value of a painting by applying powerful tints, applying large canvases, making each of them a work of modern art and the representation of a culture.
The techniques he uses, carry a significant meaning, which refers not only to geographical terrains, but genealogies, and spirits as well. Such style and unbroken dots that encompass his paintings are expressive and cyclic, which engages any onlooker into the “Tjukurrpa” that his paintings narrate. In this manner, Tjungurrayi opens a view of a world which envelopes the spiritual and the mundane, providing some understanding of the Indigenous Australians.
Themes and Cultural Significance
Major subject matter that is consistently represented in Tjungurrayi’s paintings is the Stories of Dreaming, sacred myths of the Pintupi nation. His works are a connecting link between old and contemporary cultural heritage in terms of both geography and spirit in indigenous cultures. A majority of his works are commissioned based on histories of the creation of specific geographical features, travels of ancestral spirits and eminently significant sites in his culture.
In paintings, Tjungurrayi also focuses on the ideas of connectedness, Indigenous peoples’ resilience, and people–environment connection. His art is an informative narrative which acts to maintain and enhance the culture, religion and beliefs of the Pintupi nation. Through these themes painted on canvas, he conveys an eloquent message about adopting Indigenous culture in view of globalization.
Career Highlights and Achievement
Bob Gibson Tjungurrayi's artwork can be viewed in numerous galleries in Australia and other countries at art centres and museums. His work is in the collection of numerous museums and galleries and is sought after by individual collectors as well as helping to contribute the legacy of Indigenous art to the international arena.
Undoubtedly one of the most important aspects of his work is that he has been involved in the Papunya Tula Artists, the art cooperative set up to help Indigenous artists from Western Central Australia. He is a member of this movement and paints along with other several artists with similar experiences and visions in desert art. He has attained recognition not only as an independent painter but also as a significant part of Papunya Tula Artists with the particular role being responsible for the renaissance and preservation of Indigenous art and oral history.
Legacy and Cultural Impact
Bob Gibson Tjungurrayi is rightly popular not only for the artworks he creates but also for his position as a culture bearer. Because he presents his paintings to a wider audience, he ensures that he is passing information about the Indigenous people and the value of the Pintupi society. His art is actually creating dialogues that attract people to respect and value Indigenous Australians.
Tjungurrayi’s work provides evidence of the ability of Indigenous art to survive and develop while remaining relevant to traditional practice. Through his works, he has earned his place within the larger history of Australian art by showing how Indigenous artists can continue to practice within and retain their cultural identities while adapting to the modern art market. Through his art, Tjungurrayi passed through his legacy and brought a new generation of Indigenous artists and personalised an appreciation of Indigenous culture in Australia.
Support Bob Gibson Tjungurrayi with Mandel Art Gallery
Discover the beauty and significance of Australian Indigenous storytelling through the remarkable artistry of Bob Gibson Tjungurrayi. Support his artwork by visiting us or contact us at 03 9497 5111 to view more of his paintings.